Motivation

Gerard doesn’t draw only landscapes and

cityscapes, he also gives the human beying a

central place in his Works.

Humans, alienated, grotesque and actors in a

theaterplay, two-dimensional in this case.

Often, Gerard showes his Roman-Catholic

background from the fifties and sixties, with

a bride smile, sometimes a little bizar.

Also he showes a certain social empathy in

expressing social contrasts, mostly colourfull

and gay.